Since the advent of Coco Chanel’s influential suits in 1916, knitwear has undergone a remarkable evolution. Chanel’s classic line of knitwear heralded a new era in sportswear, laying the groundwork for its transformation into a symbol of modern femininity.

Throughout the 1950s, sex symbols like Lana Turner and Jane Russell further popularized knits, establishing them as a timeless and appealing choice for women. By the 1980s, knitwear had transcended its sportswear origins to become a staple of high fashion, with iconic designs such as Romeo Gigli’s haute-bohemian cocoon coats and Ralph Lauren’s floor-length cashmere turtlenecks.

A Knitwear Visionary

Enter Monique “Mary” du Rock, a visionary designer bringing knitwear into the 21st century with her forward-thinking fashion line. With over 40 years of experience in the knitwear industry, du Rock’s journey began humbly on a knitting machine, creating apparel for family and friends. This passion for designing knits has remained the driving force of her career.

Monique’s extensive portfolio includes collaborations with renowned fashion houses such as St. John Knits, Valentino, Ungaro, Christian Lacroix and Yves Saint Laurent. Her designs seamlessly blend classic European styles with contemporary attitudes, resulting in what she proudly calls the “wow factor.”

In a recent interview with Swiss Street Media, du Rock articulated her perspective on modern fashion: “Jeans and a t-shirt are OK, but jeans and a knit top are fabulous.” She further emphasized the importance of comfort and body-complementing attire, stating, “Stiff fabrics are out; comfortable clothes that complement a woman’s body are in.”

When asked about the practicality of her designs, du Rock highlighted the need for versatile and functional clothing. “Clothing that can be dressed up or down is essential in a woman’s wardrobe,” she explained. “However, it will do her no good if it is not functional as well. How many dresses do we own in our closets that we cannot wear any longer? It is a shame.”

She added, “A dress that can be worn to the office on the shoulder and after work off the shoulder, completely changing the feel, is a smart, sexy piece of fashion.”

A Fresh Take on Beachwear

Currently, du Rock is channeling her creativity into a project that merges her love for classic knitwear with a fresh take on beach attire. She is excited to introduce a new line of crochet bathing suits accompanied by stylish beach cover-ups. This venture explores texture, form and functionality, marrying the timeless elegance of crochet with the demands of modern beachgoers. Each piece is meticulously crafted to ensure both comfort and style, providing women with the perfect balance of fashion and relaxation as they enjoy their time by the water.

From intricately-designed bikinis to effortlessly chic cover-ups, every element of this collection is infused with du Rock’s signature aesthetic of simplicity and sophistication. She believes that fashion should empower individuals to feel their best in any setting, and she is excited to bring this new vision to fruition.

Reflecting on her career, du Rock says she finds the most fulfillment in blending creativity with functionality. “There’s a unique satisfaction in seeing my designs come to life; transforming them from sketches into tangible garments that women feel confident and beautiful wearing,” she said. “Knowing that my designs resonate with people on a personal level is truly fulfilling.”

She also cherishes the creative freedom that comes with being a designer. Every collection is an opportunity to explore new textures, silhouettes and color palettes, allowing her to continuously evolve and express her artistic vision.

But ultimately, du Rock says the most fulfilling aspect of her career is the ability to make a positive impact through her work. “Whether it’s through sustainable practices—empowering women through fashion—or simply bringing joy to someone’s day, knowing that my designs have the power to inspire and uplift others is what drives me forward in my career.”

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This article was originally published on diversitycomm.net.